The Social Artist – Interactivity

Learning happens when the world bumps up against what you already know.  In our clumsy stumble through life we’re constantly colliding with new ideas in text, in music and video, in objects around us, and in other people.  The thrill of having your own notions of existence confirmed, and the conscious-raising experience of understanding a resistant view of the world is one of the great drives of education.  We want to understand our world no only for ourselves, but for each other.

In the educational world, it’s tempting to submit this interaction to a top-down structure that reinforces power relations found throughout society, but one of my favourite pedagogues, Paulo Freire, argues (with the help of Erich Fromm) that this type of interaction is a drive toward “necrophily”.

“The necrophilous person is driven by the desire to transform the organic into the inorganic, to approach life mechanically, as if all living persons were things… He loves control, and in the act of controlling he kills life” (Friere, Pedagogy of the Oppressed, 77).

It is not enough to simply have interaction among the players in an educational enterprise.  We must encourage authenticity, presence, and a drive toward a dialogical method of teaching that will encourage a love of life through a profound curiosity and desire to interact with ourselves, one another, and our world.

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